Greater Cleveland Media Dev

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Glossary of Film Terms Assistant Camera (A.C.) Responsible for the care and maintenance of the camera and all of its associated pieces and parts. The first A.C. works closely with the camera operator and the director of photography at the cameras, while the second A.C. loads the film and runs the slate. A director of photography will often have a favorite A.C. with whom he or she prefers to work. Assistant Director (A.D.) An assistant to the director, the first A.D. runs the set, plans the cost-efficient scheduling of locations and talent, schedules the days’ shooting and is responsible for carrying out the director’s instructions. The First A.D. plans a shooting schedule by breaking the script into sections that can be filmed in a single day and in the most efficient order. During filming the A.D. manages the set, helps line up shots for the director, calls for quiet on the set and coordinates the extras. The assistant director is often a member of the Directors' Guild of America. The second assistant director (second A.D.) is a liaison between the production manager and the first assistant director. Usually works with the cast and crew and handles paperwork, including call sheets (who needs to be on the set and when), actors' time sheets, production reports and is usually the person in charge of production assistants. This person also helps the First A.D. place extras and control crowds. Art Director Designs and constructs sets for the production designer. This person needs to be well-versed in a variety of art and design styles, including architecture and interior design. He or she works with the cinematographer to achieve the right look for the production. Associate Producer The top assistant to the producer, usually the intermediary between the Producer and the shooting crew. Background/Extras Background is the term for the non-speaking extras seen in the background of a scene. Best Boy There are actually two separate best boy positions -- the best boy/grip and the best boy/electric -- who are second in command to the key grip and to the gaffer. The best boy/grip is in charge of the rest of the grips and grip equipment. The best boy/electric is in charge of the rest of the electricians and the electrical equipment. Body Make-up Artist Union rules state that the body make-up artist apply any make-up below the actor's breastbone, or above the elbow. Boom Operator The boom operator is a sound crew member who handles the microphone boom, a long pole that holds the microphone near the action but out of frame, allowing the microphone to follow the actors as they move. Camera Operator Runs the camera during shooting. On low-budget films, the D.P. may also serve as the Operator. The camera operator is responsible for keeping the action in frame, and responding quickly to the action as it unfolds. Casting Director Responsible for supplying actors for the film. Works with the producer and director. Costume Designer The costume designer creates all the costumes worn by the cast on a production. This person contributes to the overall look of the film, as well as the style and interpretation of the film's characters.

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