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Tap Music Sales
Distance: 63.3 Mi1992 Hunter Ave
50208-8652 Newton -
C.L. Barnhouse Co
Distance: 82.3 Mi205 Cowan Ave W
52577 Oskaloosa -
Griggs Music
Distance: 111.6 MiBrady
52801 Davenport -
Wagner Chiropractic
Distance: 206.4 Mi1723 Grandview Blvd
51105 Sioux City
Description
Welcome to my website! If you are looking for my sheet music, you can visit the 'Music Library', and if you are interested in lessons, please go to the 'Music lessons' page. You can also go to my 'Performances' page and find out where I am appearing. You will notice rather quickly that I have relocated to California; I came out here to be with my father, who died of mesothelioma on May 10th, 2008. Now I have made the decision to stay in California to be with my mother and to concentrate on performing. My mother sang to me when I was a baby; she was not formally trained but had a lovely voice and was a profound early influence. I also count my experiences with the chant in the Synagogue as a strong first musical impression. My only formal training as a child consisted of about three months of piano lessons at age eleven, with a nice young man named John. This was 1963, and John got drafted; so my lessons stopped. I kept fooling around and "making things up," but gave up reading music and wrote poetry instead. At 17 I decided to become the next Bob Dylan, so I borrowed my mother's old guitar and taught myself to play. I quit school and went hitch-hiking for several years; now I was Woody Guthrie. Gradually my musical ideas grew beyond what I could understand; I had discovered Varese, Schoenberg, Stravinsky and Bartok -- it was time to learn how to read and write music. At 22 I wandered into a local music store and started taking lessons with Keith Nelson, a kindly violist/choir director/music teacher and store owner. I lived in his store for several years; teaching guitar lessons, watching the counter, and studying piano, guitar, violin, harmony, and counterpoint. One day I met Steve Sinclair, a wonderful guitarist, who was a graduate student at a nearby college. He eventually twisted my arm into going back to school, but our local college seemed somewhat tame so I eventually found my way to Donald Erb and the Cleveland Institute of Music. After that, my education followed the more usual path and I was blessed with many fine teachers, as you can read below. I now write music for a wide variety of instruments and ensembles; I am especially fond of writing for orchestra, when my schedule allows me the time. I taught music to earn my way through college, and when I left Yale and came to Iowa I taught composition to undergraduate students. When I was sufficiently horrified by their lack of musical experience I began the Iowa High School Composers Project, in order to work with younger students BEFORE they got to college. Later, when I was sufficiently horrifed by THEIR lack of musical experience I took another step backwards and began working with even younger kids, on their instruments. Thus began Iowa Creative Music, and I now teach seven days a week to people of all ages and all levels of experience. Around 1996 I turned my attention to writing music for my students. I was tired of the usual methods and felt that there needed to be something more for beginners; music with real integrity, which would introduce them to contemporary music while systematically addressing their developmental needs.