Jamey Hecht

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Jamey Hecht, Ph.D. Los Angeles, CA (917) 873-0292 Avian801@aol.com Education: 2001 Semester of Courses in Psychology, Columbia University 1996 Certificate, Ancient Greek Literature, The Latin-Greek Institute , CUNY 1995 Ph.D. English, Brandeis University 1992 Certificate, Ancient Greek Language, The Latin-Greek Institute, CUNY 1990 M.A. English, Brandeis University 1989 B.A. English, Adelphi University 1987 Regents College, London, England Dissertation: The Construction of the Transcendental Term in Hart Crane and Dylan Thomas , with chapters on John Keats and Walt Whitman; Brandeis University, December 1994. Dissertation Committee: John Burt, William Flesch, Allen Grossman, Langdon Hammer (Yale University). Scholarly Books: Sophocles’ Three Theban Plays , a new translation with notes and commentary (Wordsworth Editions, 2004). Plato’s Symposium: Eros and The Human Predicament . Macmillan (Twayne’s Masterwork Studies, 1999). Scholarly Essays, Book Chapters and Articles: “Technology, Labor, and the Sacred: the Cultural Context of Robert Frost,” in forthcoming Critical Insights: Essays on Robert Frost , edited by Morris Dickstein (EBSCO, 2009). “‘My Animal is a Tree’: The Poetry of Eloise Klein Healy,” The Los Angeles Review, Number 5 , January 2009. “The Piano Player Explains Himself: Allen Grossman’s Gnosis,” in Poetry’s Poet: Essays on the Poetry, Pedagogy and Poetics of Allen Grossman ed. Daniel Morris (University Press of New England, 2004). “Tragedy, Hamlet, and Luther,” Forschungen zur Frühen Neuzeit , Goethe University, Frankfurt am Main, 2002. Introduction to the electronic edition of the Oxford Book of English Verse 1250-1950 , Barnes & Noble.com, February 2002. “Scarcity and Compensation in Herman Melville’s Moby Dick,” The Massachusetts Review, Vol. XXXX, No. 1. Spring 1999. “Limitations of Textuality in Thomas More’s Confutation of Tyndale’s Answer,” The Sixteenth Century Journal. January 1996. “Scarcity and Poetic Election in Two Sonnets of John Keats,” English Literary History (ELH Vol. 61.1), Johns Hopkins University Press, Spring 1994. “Two Tropes of the Opening Sections of Walt Whitman’s Song of Myself,” The Cloverdale Review, 1992-1993. Poetry: Limousine, Midnight Blue: Fifty Frames from the Zapruder Film (Red Hen Press, 2009). “Zapruder Film Frame 167,” The St. Ann’s Review , Fall 2009. “Grossman’s Tooth,” Tikkun , March/April 2009. “Genesis,” Caesura , Spring 2008. “New York Fresco,” Shofar, Vol. 27, No. 3 . “Paradise and Hell Lost,” Afterwords (forthcoming anthology, ed. Kurt Brown) “First Divorce (after Lattimore’s Homer),” Rattle, No. 29, June 2008. With AUDIO . “Zapruder Film Frame 155″; “Zapruder Film Frame 192,” Anthony Hecht Poetry Prize Finalist , Waywiser Press. “Exposition of the Contents of a Cab,” Tupelo Press Poetry Project . “Zapruder Film Frame 158″ ; “Zapruder Film Frame 163,” November 3rd Club. “ The Round Square ,” Free Inquiry, Vol 26 No. 6 , October / November 2006 “ Fido ,” Block Magazine, Brooklyn, NY, Summer 2006 “Zapruder Film Frame 156,”; “Zapruder Film Frame 157″; “Zapruder Film Frame 179,” Black Warrior Review, Vol. 32, No. 1, Fall 2005 “Zapruder Film Frame 178,” River City, Vol. 24, No.

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