Opera Today, Inc

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A successful production of Verdi’s Macbeth relies not only on incisive vocal characterization as projected by Macbeth and Lady Macbeth but also on the interaction of these lead figures in order to vivify their descent into a world of destruction. I was sixteen and knew nothing about opera, had just seen my first Traviata at the City Opera (Patricia Brooks, Placido Domingo), was entranced by the melodies — especially the Brindisi and “Sempre libera” — and wanted more.

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