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National Guild Of Piano Teachers
Distance: 0.4 MiPO Box 1807
78767-1807 Austin -
Atjs
Distance: 0.4 MiPO BOX 27694
78755-7694 Austin -
Bobby Bridger
Distance: 0.4 MiPO BOX 49301
78765 Austin -
Crowd Control Records
Distance: 0.4 MiPO BOX 81333
78708-1333 Austin -
Fire-Eye Development, Inc.
Distance: 0.4 MiPO Box 28722
78755-8722 Austin
Website Links
Description
RECENT NEWS AND INFORMATION OCTOBER 2010 October is my favorite month for so many reasons! I love the weather, there seems to be an event every day and many of them are in the spirit of giving, helping and preserving, things RajiWorld supports in every way we can. What intrigues me most about the wonderful world of music is what has come before and what comes as a result, a flow of magic and connectivity and I could not be more tickled to announce our partnership with the one and only Al Kooper for booking. in a career that spans 50 years, (some highlights are documented at this link ) Mr Kooper has managed to turn up at key points in the last five decades. In 1958, Koop began his professional career as guitarist in The Royal Teens ("Short Shorts"). He metamorphisized into a Tin Pan Alley songwriter with cuts by Gary Lewis, Gene Pitney, Keely Smith, Carmen MacRae, Pat Boone, Freddie Cannon, Lulu, Lorraine Ellison, Donnie Hathaway and later was sampled by The Beastie Boys, Jay-Z, Pharcyde, and Alchemist to name but a few. In the mid-sixties, Al was a member of The Blues Project and then founded Blood Sweat & Tears, remaining only for their debut album "Child Is Father To The Man." He then slipped his producer hat on and began with the top ten album "SuperSession" in 1968 featuring Mike Bloomfield & Stephen Stills. He is well known for his organ playing on Bob Dylan's "Like A Rolling Stone." He played off & on with Dylan for many years, live and in the studio. His playing skills have graced the works of The Rolling Stones, George Harrison, The Who, Jimi Hendrix, Peter Paul & Mary, Tom Petty, Joe Cocker, BB King, Taj Mahal, Alice Cooper, Roger McGuinn, Betty Wright, Trisha Yearwood, Tracy Nelson and scores more. Major moments include playing piano, organ and FRENCH HORN for The Rolling Stones on "You Cant Always Get What You Want," keyboards on George Harrison's #1 hit "All Those Years Ago," keys on "The Who Sell Out," and on "Electric Ladyland" for Jimi Hendrix. As a producer he is best known for discovering Lynyrd Skynyrd and producing their first three albums including "Sweet Home Alabama," "Free Bird," "Gimme Three Steps," and "Saturday Night Special." His other producing clients included, The Tubes, Nils Lofgren, Eddie & The Hot Rods, Ray Charles, BB King, The Staple Singers, Lorraine Ellison, Bob Dylan, Joe Ely, Thelonious Monster and Green On Red. His autobiography "Backstage Passes & Backstabbing Bastards" is considered by many to be a rock n roll must-read. He scored Hal Ashby's first film "The Landlord," John Waters film "Cry Baby," Michael Mann's TV series "Crime Story" and Peter Riegert's recent directorial debut "King Of The Corner." His live show accompanied by his band of Berklee professors, "The Funky Faculty," has been acclaimed all over the USA and in Japan, Italy, Spain, Demark, Finland, Norway, The Czech Republic, with more countries lining up for for 2010.